Oak Bowls

One of the great things about the business of woodturning is that even in failure, the material still has use. On an unusually cool summer night in Wisconsin, these bowls serve their noble final purpose on the back patio.

"The specific point of failure is the most opportune time in a mans life. Greet it with eyes wide open. Recognize the good in all things, and be a servant the teacher herein."
                                            Thomas Edison

Magazine photos of my selections- Turn-On Chicago 2012

Bottom View Open Hurricane

Maple hurricane bowl

Standard hurricane Bowl (Standing)

"Guarded Treasure" Oak Twisted Tail Piece

Stuart Batty- Fundamentals of woodturning

1. What  makes woodturning difficult is because it has grain which translates our skill.
2. We are always trying to cut side grain, no matter how the wood in orientated in the chuck.
3. Chucking- 2 elements- accurate and secure. Must re-grip tightening often as wood fibers will compress.
4. Elements to a sharp tool-
Angle of the edge- Lower to number of angle the more the tool self feeds
through the wood. The higher the angle number the more pressure is required in the cut. 40* is the primary angle which is considered neutral.
Shape- 40* on the bevel
5. Practice makes permanent- good or bad.
6. Tool rest factors- Angle, height, Overhang/Length of the handle.
7. Have some water at your grinding station- not to cool the metal, but to lubricate the grinding process.

Aesthetics of wood- How to orientate your log

1. Don't be random when cutting your log.
2. Know what you are making before you hit it with the chainsaw.
3. To be balanced in the end, the rough wood center line needs to go from the bark to the pith (face grain turn).
4. Face grain will always be oval. End grain turning will always be fairly round.
5. Big diameter woods will limit drying movement if you are able to stay further away from the pith.
6. Drying wood moves in all directions in different amounts.
7. Green turned wood can't be sanded effectively until free moisture has been released.

What did I learn from stuart batty?

1. How to clean cut never happens by using your left hand on the push cut. The pull cut is acceptable.
2. I have been finishing my turning with my speed way too slow should be at for over 1000 rpm on finiahed cut.
3. Sharpening with a jig does not allow you to control the angle of the wings.
4. Feet position- knee to start, angle of feet equals angle of cur sweep. Long bowl sweep outside foot in finished spot.

More from day one at Turn On Chicago Seminar

John Jordan during his carving seminar

An excellent example of Dixies work

The instant gallery at Turn On Chicago.

Dixie Biggs is my new hero

Her stuff is not really even conceivable in pictures. If you get a chance to pick 1 up and see it you'll know the surface quality is exquisitely detailed.

This one is Sold today for $2,500!

John Jordan hollowing

The first rotation of the day was Johns hollowing demonstration. He had a few of his finished carved work on display. They have more weight then I expected, The finish on the pieces are very nice.

The preparation in over...now comes the fun!

 Coming down today from the pressure of preparing for the event this weekend. It's been to sleep after 1am for the last few days. But, now all three pieces are ready and I am pretty proud of them. Here is a piece of Mulberry I just felt compelled to mess with this morning. Prepare yourself for a massive amount of Blogs starting right in the morning on Friday. I will make all of you feel as if you are there.....

Turn on Chicago- Anyone out there going?

I really would like to meet up with some of you during the Chicago event that starts already next Friday. If any of you are going, click on this post and drop me a comment- remember: two heads are always better than one! Look forward to hearing from you!

And then there was wood burning....

 Here I am getting a little wild with the wood burner pen. This is a good view of my twisted bottoms I am modeling for the first time. I dip the piece in mineral oil and let it sit overnight before I begin burning. This softens the wood and intensifies the color by increasing the heat of the pen.

Here's the life of an artist. Huddled in the corner with one light, burner, and a fan vent......